Be Original Americas’ Summer Fellowship: Looking Forward

Photo Jul 14, 11 05 50 AM_Alexander Kusak

As rigorous research and experimentation lead to better, original design, Be Original Americas believes that a hands-on, immersive design education can lead to a well-rounded designer. The Be Original Americas Summer Fellowship program was created to offer just that opportunity: real-world experience to support an informed and creative start to a career in design. As the first-ever Summer Fellowship draws to a close, we talked with fellows Sarah Ahart of Virginia Tech and Karina Campos of Syracuse University about how their experiences in the program will shape their futures in the industry.


What’s next for you in your senior year at university this fall?

Sarah: I am going to be working this semester to prepare for my thesis in the spring.  This semester is about continuing to figure out who I am as a designer, what my interests are, and expanding my knowledge of the design world.  I want to base my thesis on a current problem for which I can design a meaningful solution.

Karina: Whats next? Well, completing my design thesis! This upcoming year will be full of trials and tribulations, sleepless nights, but also full of moments of success and design inspiration. Although the word “thesis” is a little scary, I am actually excited to get started! I have gotten so many preliminary concepts during the fellowship.


How do you think you’ll approach your schoolwork differently in your final year, as a result of your experiences during this fellowship?

Sarah: Now that I have a much broader understanding of the steps needed to create a final product, I will be able to design in a way that keeps the full process in mind.  Prior to the fellowship, I was designing based on my limited knowledge of industry.  The fellowship has made me aware of the many considerations needed to bring a product to market, as well as all the steps that a product needs to go through before being market ready.  I can now include these elements that I have learned throughout the fellowship in each of my future projects.

Karina: After this incredible experience, I have learned to approach design a little differently and think beyond the confines of my own discipline. It makes for a more holistic and meaningful way of designing. Also to continue being curious and never settle in your design work.


How has your view of your future in the design industry been changed or influenced by the Be Original Americas Fellowship?

Sarah: I realized that there are so many different paths that I can go down once I graduate.  I had an idea of what I wanted to do just based on what I knew existed. Now that I have been exposed to so many different options, I realize there are many more opportunities for me than I had originally thought.  It makes me feel like I can pursue anything that interests me, and that wherever I end up working, I will be able to contribute my own valuable skills .

Karina: One thing that became more apparent during the fellowship is that in order to sustain the design industry, it is vital that we challenge the way in which knowledge is passed from established design professionals to young designers–especially since we are the future of the industry. We can influence change.  Although there is only slight correlation between school and the real world, that rigidity in school teaches essential basics that come in handy in an office setting, at least from what I saw during the past seven weeks.


What key learning from the fellowship are you most excited to share with your peers?

Sarah: I am most excited to share with them my answer to the previous question.  In school, I feel like a lot of us think that we need to go work for consulting firms and get the traditional ‘industrial design’ job.  Because of that, I see some of my classmates being discouraged when their interests and skills don’t line up with the traditional jobs that we hear about.  I think that it is extremely important for students to know that there are so many different options once they graduate and that our major is extremely flexible, allowing us to fit into many career paths.

Karina: I am looking forward to sharing those mind-blowing moments I experienced, anything from incredible manufacturing processes to how design professionals behave in an office setting.  I think I am going to talk about the more intimate moments I experienced that some students often don’t get while doing a traditional internship.


Based on your experiences this summer, if you were to design a tool for designers, what would it be?

Sarah:  I would design a platform that helps connect schools and students with companies in the industry to do collaborative projects.  I have worked on a few projects with actual clients, and these have been the most successful and beneficial projects in my time at school.  With that said, not everyone gets the chance to work hand in hand with a real company before they graduate, and I think that is a shame.  The knowledge you gain from working with a real client for a real company is invaluable, and I would like to create a way to make that a possibility for everyone.
Karina: It would definitely be a pen, specifically a Pilot BeGreen B2P Gel pen.  Being a tactile person, I naturally love hand-writing. It’s the most reliable way of keeping track of my notes–especially when inspiration strikes and I have to make note of it!  During the fellowship I filled two small notebooks of information, random thoughts, and ideas and my Pilot pen is the best for taking hand-written notes on the go. It allows for smooth writing and for some reason I can always read my chicken scratch, hieroglyphic writing the best with this pen. Of course, this is personal preference (every designer that I know has specific pens for specific purposes) if I am filling out a document or drawing my writing utensil needs change.


Authenticity in design begins with intent. Be Original Americas is committed to creating access to the kinds of design education that foster a creative future for the industry at large. Many thanks to our fellows Sarah and Karina for a successful inaugural year for the Summer Fellowship program, and to our participating members and media sponsors for their support. You can read more about the Fellowship experience on and

The Originals: Harry Allen



What does “original” mean to you?

As a designer I make “original” happen every day. It’s part of my DNA. I am always seeking out new design territory — all of my products must forge new ground aesthetically, conceptually, and/or functionally. Otherwise, why design? Only original design is design.


How can trusting the intelligence of your audience lead to innovation in design?

For me, it’s not about dumbing down a product to fit a current trend, or copying something that has been done. I see it as my duty to lead, not follow, and it’s the best premise for design.  A good design mind is trained to see beyond what is already out in the world. It’s the definition of creativity — to create something new, and that is ultimately what consumers want — to be challenged, to bring great new products into their lives, to have their lives bettered by design. That is where consumer intelligence comes in — they can recognize a winner. Sometimes it takes some time, but if you design a great new product it always gets recognition — because people are basically pretty smart.


How effective is the use of new materials in helping to deter copycats?

I love new materials for all they can bring to a design. Right now I am working on a project with Ecovative, a material company that grows a wood-like product out of mushrooms, Designtex, who have developed a compostable fabric, and E2E who make a soy-based glue. I brought them all together in a new acoustic tile called” Weave” that will be manufactured by Ecovative. It is beautiful, functional, and environmentally sound. In fact, they are completely compostable. So in this case, the design of the product is great, but it is the materials that make it amazing. And I am pretty sure no one will be copying them anytime soon.



Harry Allen is the founder and president of Harry Allen Design. He has designed furniture, lighting, products, and interiors for a wide variety of international clients. His long-standing interests in art, new materials, and systematic design approach have led to some of the most intelligent products and interiors in the world today. Allen’s work is in the permanent collection of Museum of Modern art (NYC), the Brooklyn Museum of art, the Denver Museum of Art, and the Philadelphia Museum of Art. His awards include the Brooklyn Museum of Art’s Modernism/Young Designer Award and two Industrial Design Society of America IDEA Awards. 

Focus On: Craftsmanship

Craftsmanship is what makes innovative ideas for authentic designs a reality. The skill of an artisan or a meticulously refined mechanical process incorporate the attention to detail and standard of excellence necessary to create objects that become a part of our lives and deepen our relationship with our environments. Fraudulent products, with their shoddy make and low-grade materials, fail to capture our imaginations with their rough approximation of the aesthetics and functions that make authentic products a success. Craftsmanship is the difference between objects that inspire, and ones that just take up space.

Designers of integrity know that their intended concepts for a new product or solution can only be articulated through the highest standards of materials and manufacture.  This month, we’re featuring some of our members who shared with us their stories of unique manufacturing techniques, material uses, and design practices that showcase the lasting value of authentic design.



SKRAM Collage

Skram Furniture Company emphasizes sustainable practices, authentic materials, and extraordinary workmanship. Their craftsmen utilize a mix of traditional techniques and cutting-edge fabrication processes to meet the highest standards of precision and durability.


Flavor Paper


Brooklyn-based wallpaper company Flavor Paper has mastered the art of large-format hand silk screening. Their diverse portfolio of expertly silk screened and digitally printed designs offer unparalleled customization and creativity to designers.



CERNO collage

Vertically-integrated Cerno makes all of their lighting designs at their own facility in Southern California.Founders Nick Sheridan and Daniel Wacholder are involded in each step of production, which includes both handiwork and modern technology.



NANI Colalge

nanimarquina brings manual production and contemporary design together by researching tools, looms, and craft heritage to achieve harmony between the design concept and finished product. In addition, nanimarquina produces their designs in developing countries to boost local economies and help build a brighter future for those involved in the rug-making process.



EMECO Collage


The iconic Emeco Navy Chair is crafted through a detailed, 77-step process. Recently, the Be Original Americas Summer Fellows visited their facilities in Pennsylvania to get a hands-on look at the famous production – read more at Interior Design.


As our members show, when objects are created with the intention of improving the lives of the end user – and not just cashing in on stolen profit – the manufacturing process features a commitment to sustainable, responsible practices and a high standard for quality control and materials that create true value. Follow us @beoriginalusa for more stories of craftsmanship and inspiration.

Summer Fellowship: Mid-Point Update


Left to Right: Sandy Chilewich, Fellow Karina Campos and Fellow Sarah Ahart at Chilewich in NYC.

We caught up with the Be Original Americas Fellows to hear about their experiences and discoveries halfway through the inaugural Summer Fellowship Program.  Below, they share what it’s like to go behind the scenes at our member companies and dive into hands-on learning that can’t be reproduced in the classroom.

What has been the most surprising thing about your experience so far?

Sarah: The most surprising thing to me so far is how much human touch goes into the manufacturing and assembly of furniture.  I had always assumed that machines are doing a majority of the work, but after viewing some manufacturing facilities, I have learned that is not the case.

Karina: The most surprising thing so far has been the number of times my career path has changed. I’ve started keeping count and I think I am up to 32. Touring these incredible companies has fluctuated my design thinking and opened up design career possibilities I never knew existed!

What have you learned by being on site that you couldn’t have in the classroom?

Sarah: Being on site has showed me how many different people actually work on one product in order to bring it to market. In school there is not usually more than three people working on a team, where in the office each product goes through a bunch of different teams before it is ready to go to production.

Karina:  At school, our projects have an end date, once we turn in that PDF or a final mock of a product – that’s it, you’re done! And seeing real world design professionals working on projects and the communicating between departments shows that it goes beyond just designing, you have to work and collaborate with people who don’t necessarily speak the same “design” language. Projects are ongoing and there is a lot of push and pull among different people.

Has your perception of the day-to-day at a design company changed? If so, how?

Sarah: My perception of design companies has been solidified rather than changed.  I had always assumed that design companies were collaborative, but it was awesome to see first-hand how collaborative they really are. Throughout the entire design process, multiple teams are working hand-in-hand to make sure that the product is successful.

Karina:  Yes! Definitely! After seeing the environments of differently sized companies, there is an overarching theme that there is no theme, not every workspace is the same. Each company outlines its work in a different way that caters to their specific needs and tasks. Some are more rigid and some are loose but what I have observed is that everyone loves their job regardless of the structure because it’s what works best for them.


Fellow Sarah Ahart looks through textile samples at Carnegie.

Fellow Sarah Ahart looks through textile samples at Carnegie.


Based on your experiences so far, how do you think original products stand out from the rest?

Sarah: Original products stand out from replicas in the way that they are manufactured.  There is such a high level of craft and care that goes in to creating every aspect of the original product that is definitely not seen in a fake.  This ensures outstanding quality as well as a product that will last longer and serve its purpose better.

Karina:  As one of my design idols, Charles Eames, stated, “The details are not the details. They make the design.” Original designs stand out with their details. An overall silhouette may present itself with the same visual language, but the details are what set original designs apart. These companies design with integrity, passion and have the goal of the user in mind to deliver satisfying experiences. All things are considered, from joinery techniques to material choices, all to produce a product that is long lasting, beautiful and comfortable.

What are you most excited for next?

Sarah: I am looking forward to continuing to broaden my knowledge of the design world. Every new place I visit, I am exposed to new areas of design that I didn’t even know existed. I am excited to have a larger understanding of all of the directions that this career path can take me.

Karina: A few more weeks of traveling! I’m excited to see new places and design companies that will continue to change my design philosophy. I thought I had a pretty good definition of what it means to be a designer, but every moment on this trip has challenged that pre-established definition–and I like it. There is more room for a re-definition and reconstruction of my design process and goals.


Keep up with the Be Original Americas Fellows week by week on Interior Design to learn more about their experiences at some of the design industry’s most innovative, esteemed, and original companies. You can also follow along @beoriginalusa for updates behind the scenes!

The Originals: Nani Marquina



What does “original” mean to you?

For me, original is something unique. It can be a piece, a product, or a work of art that offers an idea, a new concept that changes what we are accustomed to experiencing.


Has being an entrepreneur encouraged you to take risks in your designs?

In a way, I think that designers have an entrepreneurial essence, as their contributions are novel and contain large doses of imagination, vision and daring. These are just some of the necessary elements it takes to build a business. I was always clear that my goal was to surprise people with my products and to achieve this it has been necessary to take risks and break the mold.


How does authentic design support ethical business and social responsibility?

Design is unquestionably a factor in social transformation. One of the primary goals is to improve the lives of people; I believe that design is increasingly sensitized to ethical and social responsibility. In our case, our products are 100% emotional design that presents an additional intangible value. We are committed to surprising and captivating our clients, passionate about improving the living conditions of the workers involved in the manufacturing process of each rug, paying the utmost attention to the care and maintenance of the environment around us.


True to her design roots, Nani Marquina launched her namesake brand in 1987, a time in which contemporary rugs were non-existent in Spain. After studying industrial design at the Escuela Massana of Barcelona, Nani launched nanimarquina, a brand dedicated to the design, creation, and distribution of rugs and textile products for the home, based on values such as observation, innovation, and enthusiasm, with the goal to use traditional craftsmanship and techniques to create contemporary pieces. In 1993, Nani Marquina  moved manufacturing facilities to the north of India. to further incorporate o craftsmanship and tradition as a new design concept and consolidate the brand. Throughout the years, the brand has garnered numerous awards such as the National Design Award and the Premi Cambra a la Gestió Empresarial (Chamber Award for Design Management) in 2005, as well as several nominations for the Príncipe Felipe Award for Company Excellence. Nani Marquina has also recently received the International Women’s Entrepreneurial Challenge Award from the Manhattan Chamber of Commerce, a personal achievement that led to the 2007 FIDEM Award for Entrepreneurial Woman of the Year. She has enjoyed tenure as the Chairwoman of ADP (Professional Design Association), and of Red (Reunión Empresas de Diseño). Starting in 2014, Nani Marquina is the President of the FAD, (Foment de les Arts i Disseny), in Barcelona.

Breaking News: U.S. Customs & Border Protection

BEOA_Customs_picture_June 2016_crop1
Be Original Americas Meets with U.S. Customs & Border Protection and U.S. Department of Homeland Security on Protecting Original Design

On June 15, 2016, two representatives from the U.S. Customs and Border Protection office and a special agent from the U.S. Department of Homeland Security gave a 60 minute in-depth presentation to Be Original Americas board members in Chicago, during NeoCon, one of the most recognized trade shows for commercial design and business trends.

Highlights from the presentation include:

  • Designs may be legally protected through U.S. federally registered trademarks, copyrights, and/or patents.
  • Trademarks and copyrights registered with the U.S. Patent and Trademark Office or U.S. Copyright Office can be recorded with U.S. Customs and Border Protection (CBP) to maximize their protection at the border.
  • CBP is authorized to detain and/or seize imported merchandise that infringes recorded rights.
  • Recordation is effective for the term of registration or remaining period up to ten years. Right holders may electronically file IPR recordation applications at

Since the meeting, U.S. Customs has been in contact with many Be Original Americas members.  This August, U.S. Customs officers in the New York metro area will meet with 7 member companies to learn more about their original designs and help stem the stream of counterfeit furnishings into the United States.

“This marks an important step in Be Original Americas’ short history. Meeting with U.S. Customs and Border Protection recognizes the strength of our organization and gives our members the tools for legally protecting their authentic designs and brand integrity,” said Sam Grawe, President of Be Original Americas and Global Brand Director for Herman Miller. “We encourage our members to register their trademarks and copyrights so that their designs can be protected.”

Stay tuned for more news on this in the future.


Pictured: Be Original Americas board members Federico Materazzi (Poltrona Frau Group), Antoine Roset (Ligne Roset), Cliff Goldman (Carnegie Fabrics), and John Edelman (Design Within Reach)

Meet the 2016 Fellows

The Be Original America’s Summer Fellowship Program begins this week, as 3rd-year students Sarah Ahart of Virginia Tech and Karina Campos of Syracuse University arrive in New York City for the first leg of their 7-week experience in all it takes to make, distribute, and sell authentic design. We spoke with the two Fellows about their backgrounds in design, their expectations for the program, what they’re most excited to learn.

The Fellows


Sarah Ahart is an accomplished, top-ranking student in Virginia Tech’s industrial design program. She currently has a product on the market through Swiss toy company Naef, and recently participated as a finalist in the Stanford Center on Longevity Design Challenge 2016 with her in-home workout station for the elderly. While pursuing her desgree, she also works as lead designer at start-up Park and Diamond Incorporated, where she is creating an ultra-portable bicycle helmet for college commuters.


Karina Campos is an award-winning industrial and interaction design student from Syracuse University. Campos has a background in service design, having worked with the Syracuse community’s Connective Corridor to create public billboards highlighting local people, organizations, and programs that have a positive impact on the city. More recently, she worked with Welch-Allyn to design possible solutions to promote workplace wellbeing for health professionals.

The Questions

What drew you to apply for the Be Original Americas Summer Design Fellowship? 

Sarah: I loved the idea that I would get to be exposed to every aspect of the design, manufacturing, and marketing processes, as well as work with several prominent companies.  I saw it as a great opportunity to gain a variety of experiences in order to help me figure out what career path I want to follow.

Karina: I am enthralled yet lost in world of design; there is just so much to it, my interests go in many directions! When I came to know about the Be Original Americas Summer Design Fellowship, one look at the description and I was hooked. I knew the opportunity to get an up close and personal look at different facets of design was right up my alley.  As a young designer, my thought process is constantly evolving and this immersive program will allow me to explore areas of design I haven’t seen or done before.

What does “original” mean to you? 

Sarah:  To me, original means that something is unlike anything that has come before it.  It has to have some feature or aspect that is novel and sparks interest.

Karina: For me originality is a concept that goes beyond “innovative” and “new”, where it core values lie in the reinterpretation of concepts and forms already in existence; an allusion to pre-established archetypes. Originality finds its voice based on visual observations, human intuitions, needs and struggles and pushes the boundaries of what is in existence but nevertheless has its roots in familiarity.

What are you most looking forward to learning about during the 7-week program?

Sarah Ahart: I am most looking forward to learning about design and manufacturing processes and seeing it first hand.  I am also looking forward to visiting some of the big name companies that I have learned about in school, such as Emeco and Herman Miller.

Karina: I am so excited to uncover the hidden nuances and insights in the design industry as well as observe, learn and connect with design professionals that will challenge my own design thinking and re-define what it means to be a designer.


You’ll be travelling to New York, North Carolina, Pennsylvania, Connecticut, and Michigan – which location are you most looking forward to and why?  

Sarah: I am most looking forward to New York.  I have never lived in a big city before, and I am looking forward to experiencing city life!

Karina: Honestly? All of them! This program will really expand my knowledge of design, each state we will be visiting offers different perspectives of design and ways of interpreting the design process. I am looking forward to those mind bending moments!

When you are not studying – orapplying for fellowships- what do you do for fun?

Sarah:  In my free time I enjoying doing ceramics and woodworking.  I also love to be outside and go hiking or boating.  I have always been very sporty and stay occupied with a variety of intramural sports with my school throughout the year. In addition, I am an assistant coach for a youth soccer team.

Karina: Besides my passion for all design, I am an avid cook and a reader. You can always find me on food blogs looking at recipes, experimenting with ingredients in the kitchen or on the couch curled up with a good book.

Follow along with us here on the blog and @beoriginalusa on Facebook, Twitter, and Instagram to stay up to date on Sarah and Karina’s experiences during the 7-week program. They’ll share exclusive images from site visits to Bernhardt Design, Carnegie, Chilewich, Designtex, Design Within Reach, Emeco, Flavor Paper, Herman Miller, Ligne Roset, and Vitra, and be checking in on about all they’re learning along the way.

The Originals: Jon Sherman

Jon Sherman Headshot 2016


What does “original” mean to you?

Something new and fresh.

Where do you see the line drawn between inspiration and imitation?

It’s a fine line sometimes, but as long as there is an individual’s obvious twist to an inspirational piece that renders it into a different realm than the original it is not an imitation. An imitation only rearranges aspects to make something differ enough to be classified as new, but the object or idea does not have its own life and inspire a different reaction than that of the original.

What makes a designer or artist a good collaborator for Flavor Paper?

Someone who thinks about engagement via walls from a different perspective than others and creates an atmosphere of beauty, humor, fun, transcendence or awe.


Check out Be Original America’s member Jon Sherman and Flavor Paper’s latest award-winning designs ShweShwe and Waynetopia from NYCxDesign and ICFF.


With an entrepreneurial MBA from Tulane University, Jon Sherman began his business journey in real estate development when he heard of a unique wallpaper company in Oregon going out of business. The West Coast producer offered Sherman the large silk screens and equipment–if he promised to remove them within 24 hours. Sherman’s initial overnight investment has grown into a profitable, print-to-order business that produces as many as 1000 rolls of custom paper a month, mitigating waste and optimizing resources, including time. Always looking to “push the envelope” in design, Flavor Paper goes beyond the traditional way architects, designers and end users think and use wallpaper. Flavor Paper can be seen in a wide variety of projects by the who’s who of the creative community, including Tibi fashion house, Kravitz Design, Milton Glaser, and Mike D from the Beastie Boys, and clients such as the IAC Building by Gehry in New York, Nike, Steve Madden, the international W Hotels and more. Recently, Flavor Paper entered into an exclusive, worldwide agreement with the Andy Warhol Foundation. Sherman’s Fishnet wallpaper is in the permanent collection of the Brooklyn Museum, where he has recently been named to the Board of Advisors, and Flavor Paper is also part of the permanent collection of the Cooper Hewitt, Smithsonian Design Museum and The Louvre Museum in Paris.

Be Original Americas Celebrates NYCxDesign


Be Original Americas members are celebrating authentic designs all over the Big Apple with and exciting lineup of events during NYCxDESIGN. Check out the full roundup of member events below, and set your calendar reminders accordingly. We hope to see you there!


  • Carl Hansen & Son: Preview of Newest Launches
    9 AM-5 PM, Thursday, May 12
    Carl Hansen & Son New York Showroom
    304 Hudson Street, 3rd floor, Suite #305
    RSVP to


  • Chilewich: Edges by Sandy Chilewich
    11 AM-7 PM, Friday, May 13-Thursday, May 19
    Chilewich Store, 23 E. 20th Street

Edges by Sandy Chilewich is the latest material concept from Chilewich. The design, which combines fluorescent acrylics with Chilewich’s trademark woven textiles in a striking optical pattern will be celebrated in this special exhibition during NYCxDESIGN.


  • FLOS and ABC Home Celebrate the Story of the String Lights with designer Michael Anastassiades
    5:30-7 PM; 6 PM Conversation, Friday, May 13
    ABC Home, 888 Broadway
    RSVP by May 11 to to

FLOS USA and ABC Home invite you to celebrate ‘The Story of the String Lights’ with designer Michael Anastassiades. See the design evolve from conception with original drawings, renderings and unique installation.


  • Artemide Cocktail Party
    6-9 PM Saturday, May 14
    Artemide Flagship Showroom
    46 Greene Street

The re-opening of Artemide’s renovated showroom features the debut of new designs by Ross Lovegrove, Jean Nouvel, David Chipperfield, Wilmotte & Associates, Herzog & de Meuron, as well as new Artemide Outdoor and Rezek fixtures.


  • Cappellini: Collection Launch and New Cappellini Book Signing
    7-9 PM, Saturday, May 14
    145 Wooster Street


  • Ligne Roset Presents Marie Christine Dorner for NYCxDESIGN
    6-8 PM, Saturday, May 14
    Ligne Roset SoHo Showroom, 155 Wooster Street
    RSVP to

Ligne Roset presents Marie Christine Dorner for NYCxDesign. Dorner will introduce highlights from her collection including MCD seating design debuting in the US. Bubbles & hors d’oeuvres will be served.


  • nanimarquina: Cocktail Event to Celebrate 2016 Introductions
    6-8 PM, Saturday, May 14
    nanimarquina New York Showroom, 588 Broadway, Suite 607
    RSVP here.

nanimarquina will host evening cocktails with Nani Marquina in the New York showroom while displaying new designs by the Bouroullec brothers, Neri & Hu and Nani Marquina.


  • FLOS SoHo Night
    6-8 PM, Saturday, May 14
    FLOS Showroom, 152 Greene Street
    RSVP here.

 You’re invited to an evening of cocktails celebrating Michael Anastassiades and FLOS’ newest collections with an exclusive curated lighting exhibition curated by Anastassiades.


  • Fritz Hansen Celebrates Pluralis & Oxford
    6-8 PM, Sunday, May 15
    Republic of Fritz Hansen, 22 Wooster Street
    RSVP here.

 Republic of Fritz Hansen invites you to celebrate Pluralis™ a modern working table designed by Danish designer Kasper Salto and a new fresh take on an old Classic, the Oxford™ chair, designed by Arne Jacobsen.


  • Ronan & Erwan Bouroullec’s New Designs
    7-9 PM, Sunday, May 15
    Vitra Showroom, 29 9th Avenue
    RSVP here.

The latest designs by Ronan & Erwan Bouroullec for Vitra, Artek, nanimarquina, and Axor will be on display with a special design installation on three levels. Ronan Bouroullec will be present to celebrate these new designs.


  • Alessi Mutants Event
    6-8 PM, Monday, May 16
    Alessi SoHo, 130 Greene Street
    RSVP here.

Highlights from the Alessi Mutants exhibition at WantedDesign will be shown in the SoHo showroom, featuring the futuristic ideas of students from the Institute of Architecture at the University of Applied Arts Vienna & RMIT University.

Be Original Americas Design Auction

Bidding has begun in the Be Original Americas Design Auction to support our inaugural Summer Fellowship Program! More than 30 authentic designs including furniture, lighting, tabletop, accessories, and unique experiences are available, all generously donated by members and friends of Be Original Americas. Winning bids will help to fund two students in the first-ever Be Original Americas Summer Design Fellowship as they travel throughout North America to learn from the best and most innovative brands producing authentic design today.


Rare prototypes like an Alessi Bandung teapot by Richard Sapper and special edition designs like Emeco’s Navy Chair collaboration with Coca-Cola are among the line-up of exceptional items. Design icons, like a Vitra Grand Repos lounge chair signed by its designer Antonio Citterio, a Le Corbusier LC1 Chair for Cassina and a FLOS Snoopy lamp by Achille and Pier Giacomo Castiglioni appear beside new masterpieces such as Lara Knutson’s Nebula necklace to complete a varied and accessible range of items. It’s a one-of-a-kind opportunity to take home the best in design while supporting the future of creativity. Explore the auction in full: